2002 UCLA J.L. & Tech. Notes 10

The Legality of Music City, Kazaa, and Grokster in the Wake of the Napster Decision
by Robert Kwant

On March 2, 2000 the Ninth District Court of Appeals upheld a preliminary injunction issued by District Court for the Northern District of California shutting down Napster's peer-to-peer file swapping system. The District Court granted the preliminary injunction because it found that there was a strong likelihood that Napster was liable for contributory and vicarious copyright infringement. A&M Records, Inc. v. Napster, Inc. , 239 F3d 1004 (C.A. 9 2001.) The Court of Appeals decision marked the end of a long battle between Napster Inc. and the Recording Industry Association of America (RIAA) over the legality of operating an internet file swapping service that allowed millions of user to share free digital copies (MP3's) of copyrighted music.

The RIAA appears to have been successful in addressing its copyright concerns with respect to Napster. Since the Ninth Circuit decision, traffic on Napster's file swapping system has decreased dramatically. The decrease is due largely to Napster filtering out copyrighted material from its central data base (at Napster's height between 70 to 85 percent of the MP3's traded on Napster were protected by copyrights held by the recording industry) and a later attempt by Napster to charge users a monthly fee for downloading copyrighted MP3's. Brad King, Napster Settles, Eyes Relaunch (Sept 24, 2001), available at www.wired.com/news/mp3 /0,1285,47075,00.html. In sum, the recording industry, with the help of the courts, forced Napster to shut down its file swapping system until it can block access to copyrighted audio files. This action has drastically decreased the number of free audio files Napster users have been able to download since the District Court decision.

However, the initial success against Napster might prove to become a pyrrhic victory for the RIAA given language in the Ninth Circuit decision that can be used as a defense to contributory and vicarious copyright infringement by some of the file swapping services that have replaced Napster. Since the Ninth Circuit decision, Internet users downloaded 3.05 billion audio files from file swapping services, namely Music City, Kazaa, and Grokster as compared to 2.79 audio files from Napster at its height. Brad King, File Trading Sites in Crosshairs (Oct. 3, 2001), available at www.wired.com/new/mp3/0,1285,47296,00.html. Accordingly, the RIAA recently filed a copyright infringement suit against the new file swapping services. But the technology used by the new services is more decentralized thus presenting a host of problems for RIAA lawyers. John Borland, File Swapping Case Breaks New Ground., (Nov. 6, 2001) available at www.new.com.com/2100-1023-275465. The difference between the technology used by Napster's file swapping service that required Napster to maintain and operate a central server and the more decentralized technology used by Music City, Kazaa, and Grokster begs the question can the reasoning used by the Ninth Circuit to uphold the District Court decision be used to support a claim against the new file swapping services for contributory and vicarious copyright infringement.

The fact that Napster operated a service that allowed the transfer of copyrighted material from one centralized location allowed both the district court and the Ninth Circuit court of appeals to find a strong likelihood that Napster was liable for Contributory Copyright infringement. Napster provided technical support for the indexing and searching of MP3 files and operated network servers that allowed users to search for MP3 files stored on other users computers and transfer exact copies of the contents of other users' MP3 files from one computer to another via the internet. A&M Records, Inc. v. Napster, Inc. , 239 F3d 1004, 1011 (C.A. 9 2001.) The centrality of the service offered by Napster allowed the district court to find actual knowledge of direct copyright infringement, an element of contributory copyright infringement.

Contributory liability exists if, one who, with knowledge of infringing activity, induces, causes or materially contributes to the infringing conduct of another. Id. at 1019. Knowledge of infringing activity can be either actual or constructive. The Ninth Circuit Court of Appeals found that Napster in all likelihood had both actual and constructive knowledge of direct copyright infringement. The court stated, "that if a computer system operator learns of specific infringing material available on his system and fails to purge such material from the system, the operator knows of direct infringement." Id. at 1021. Napster had actual knowledge of specific infringing material because a document authored by a Napster executive mentioned the need to remain ignorant of users' identities because users were exchanging pirated music and the RIAA informed Napster of more than 12,000 infringing files on its system. Id. at 1021. The fact that Napster operated a service that was used to download copyrighted audio files allowed the court to find actual knowledge of direct infringement. Further, the Ninth Circuit agreed with the district court's assertion that Napster materially contributed to infringing activity because without the support services of Napster, Napster users could not find and download the music they want. The finding of both required elements allowed the Ninth Circuit Court to affirm the District Decision that all likelihood Napster was liable for contributory copyright infringement.

Ironically, language in the Ninth Circuit decision might prove a useful defense to potential contributory copyright infringement claims by the RIAA for Music City, Kazaa, and Grokster. The Ninth Circuit cites Universal City Studios, Inc. v. Sony Corp., that held that the manufacturers and retailers of video tape recorders are not liable for contributory infringement despite evidence that such machines could be and were used to infringe plaintiff's copyrighted television shows. Id. at 1020. Thus, the ability of technology to allow end users to infringe copyrights does not require a finding that the individual that distributes or maintains the technology has actual or constructive knowledge of contributory copyright infringement. The Ninth Circuit applies this principle to the Napster context by stating, "we are bound to follow Sony, and will not impute the requisite level of knowledge to Napster merely because peer-to-peer file sharing technology may be used to infringe plaintiff's copyrights." Id. at 1021. The Ninth Circuit language provides an incentive for the new file swapping agents to argue that their level of knowledge about the direct infringement of end users is more like the distributors and manufacturers of VCR's and less like that of those that operated and maintained Napster's servers.

This argument seems plausible given the characteristics of the technology used by Music City, Kazaa, and Gorkster. These file swapping agents distribute software called fast-track that allows users to create their own network to swap audio files. The network, called Morpheus by Music City, is not run from a central location like Napster. Instead it exists as an amalgamation of individual users that connect to each other via the internet to share audio files with the fast-track software. John Borland, File Swapping Case Breaks New Ground., (Nov. 6, 2001) available at www.new.com.com/2100-1023-275465. Hence, it can be argued that Music City, Kazza, and Gorkster are distributors of software that could be used to download copyrighted music instead of the operators of a network that allows such use like Napster. This reasoning will allow those at Music City, Kazzaa, and Grokster to invoke Sony by claiming that they do not have knowledge of specific infringing material because they do not monitor and index the audio files available to their users. For instance, RIAA warnings about infringing material available on Morpheus will not take the same importance in a case against Music City as similar warnings in the Napster case because of the inability of Music City to filter copyrighted material from its system.1

The difference between the system operated by Napster and the network created by the fast-track software also poses an obstacle to finding vicarious copyright infringement. Vicarious copyright infringement exists where the defendant "has the right and ability to supervise the infringing activity and also has a direct financial interest in such activities." A&M Records, Inc. v. Napster, Inc. , 239 F3d 1004, 1023 (C.A. 9 2001.) The Ninth circuit agreed with the district court that in all likelihood Napster was liable for vicarious copyright infringement. The court found that Napster was able to stop copyright infringement on its network either by filtering copyrighted songs from the network or shutting the network down all together. In addition the court found that Napster materially benefited from the copyright infringement of its users. Financial benefit exists where the availability of infringing material acts as a draw for customers. Id. at 1024. Napster sold ad space that appeared on the screen of users logged on the to Napster network. Napster financially benefited from infringing activity because the availability of copyrighted material on its network attracted users that in turn were exposed to ads Napster sold.

It appears unlikely that Music City will be held liable for vicarious copyright infringement. Nonetheless, like Napster, Music City might financially benefit from the direct copyright infringement of Morpheus users. The availability of infringing material on the network created by the fast-track software acts as a draw to new users. Music City, Kazaa, and Grokster sell add space, like Napster did, that appears on the user's screen when he/she opens the fast track software. The more copyrighted material available on the network the more likely new users will download the fast-track software and view the ads sold by Music City. However as mentioned, unlike Napster, Music City does not have the right ability to supervise the infringing activity that it financially benefits from.2 As a result it is doubtful that a plaintiff can satisfy all the required elements for vicarious copyright infringement to hold Music City, Kazaa, and Grokster liable.

 

Footnotes

1. Music city appears to be aware of the need to distance itself from the potential direct copyright infringement of its users. It posted a warning in the policy section of its website that states: Due to the nature of peer-to-peer software, Music City is unable to monitor or control the types of files shared within the Morpheus community. If you locate a file being shared by a user who you believe may be in violation of copyright law, please report your concerns to the user directly. (www.musiccity.com)
2. It could be argued that Music City has the right and the ability to supervise the infringing activity by refusing to distribute the fast-track software but the Sony court did not infer that the defendants had such a right and ability where stopping the distribution of VCR's would prevent copyright infringement

 

 

 

 

 

 


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