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2002 UCLA J.L. & Tech. 4 |
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Anti-Circumvention Rules and Fair Use |
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Footnotes 1. Copyright Act, 17 U.S.C. § 1201 (West, WESTLAW through July 2002 legislation). 2. Universal City Studios, Inc. v. Reimerdes, 111 F. Supp. 2d 294 (2000). 3. Id. at 308 . 4. See id. 5. Mr. Reimerdes and the other defendant, Roman Kazan, settled with the studios following the grant of the preliminary injunction by entering into consent decrees. See id. at 312 n.91. 6. Id. at 308. 7. Corley posted both “object” and “source” code for DeCSS. Source code is the text of computer programming language(s) that use symbols and syntax to convey meaning. Source code is translated into object code, which is a string of numbers that a computer can “read” and perform in response to. Some source code is quite similar to spoken language, while some more closely resembles the strings of numbers of object code. See id. at 306 for a more detailed explanation of the relationship between these two varieties of computer code. 8. DeCSS was created in September, 1999, by a fifteen year-old Norwegian named Jon Johansen, who, along with some associates, “reverse engineered a licensed DVD player and discovered the CSS encryption algorithm and keys.” Id. at 311. 9. In the months following DeCSS’s initial appearance on Johansen’s own website, DeCSS became widely available on the Internet. See id. As of this writing, hundreds, if not thousands of websites purport to offer DeCSS for download, along with similar programs derived from DeCSS-like techniques. See id. at n.82. 10. Id. at 308. 11. This is particularly so in light of the fact that DVDs decrypted with DeCSS can be digitally compressed to a size that allows them to be copied directly onto a common compact disc, without significant diminution in quality, for around one dollar apiece. See id. at 31. Accordingly, there is an added incentive for consumers to unlawfully reproduce digital DVDs as compared with analog VHS cassettes because of the higher quality of the resulting copy. The studios are therefore quite invested in protecting each DVD’s digital content. 12. See id. at 312. The studios amended their complaint and also sought to enjoin Corley from “linking” his post-injunction website to other websites whose webmasters quickly copied and posted DeCSS for themselves. The linking debate is an off-shoot of several First Amendment issues raised in Reimerdes and is beyond the scope of this paper. For the court’s take on Corley’s linking (holding that “[d]efendants’ posting and their linking amounts to very much the same thing.”), see id. at 339. 13. Id. at 315. 14. WIPO Copyright Treaty, Apr. 12, 1997, art. 11, S. Treaty Doc. No. 105-17), available at 1997 WL 447232. 15. Congress could probably, for example, have simply passed a resolution finding that current copyright laws adequately respond to the concerns expressed in the Treaty. 16. Universal City Studios, Inc. v. Reimerdes, 111 F. Supp. 2d 294, 316 (2000). 17. Id. 18. As used in Section 1201, “to ‘circumvent a technological measure’ means to descramble a scrambled work, to decrypt an encrypted work, or otherwise to avoid, bypass, remove, deactivate, or impair a technological measure, without the authority of the copyright owner . . . . ” Copyright Act, 17 U.S.C. § 1201(a)(3)(A). 19. As used in Section 1201, “a technological measure ‘effectively controls access to a work’ if the measure, in the ordinary course of its operation, requires the application of information, or a process of a treatment, with the authority of the copyright owner, to gain access to the work.” See id. § 17 U.S.C. § 1201(a)(3)(B). 20. Id. § 1201(a)(1)(A). 21. Reimerdes, 111 F. Supp. 2d at 316. 22. Section 1201(a)(2) was the focus in Reimerdes because Plaintiffs had not accused Corley of using DeCSS himself to bypass plaintiffs' access control measures. 23. Copyright Act, 17 U.S.C. § 1201(a)(2). In other words, Section 1201(a)(1) “focuses directly on wrongful conduct, rather than on those who facilitate wrongful conduct,” while Section 1201(a)(2), the anti-trafficking provision, “separately bans offering or providing technology that may be used to circumvent technological means of controlling access to copyrighted works. If the means in question meets any of the three prongs of the standard set out in Section 1201(a)(2)(A), (B), or (C), it may not be offered or disseminated.” Reimerdes, 111 F. Supp. 2d at 319 (citations omitted). 24. Copyright Act, 17 U.S.C. § 1201(c)(1). 25. Id. § 1201(c)(2). 26. Reimerdes, 111 F. Supp. 2d at 318 (emphasis in original). 27. Id. at 319. 28. Id. 29. Id. 30. Copyright Act, 17 U.S.C. § 1201(f). 31. Reimerdes, 111 F. Supp. 2d at 320. 32. Copyright Act, 17 U.S.C. § 1201(f)(3) (emphasis added). 33. Reimerdes, 111 F. Supp. 2d at 320. 34. Id. 35. Section 1201(g)(4) provides in relevant part that: Notwithstanding the provisions of subsection (a)(2), it is not a violation of that subsection for a person to-- (A) develop and employ technological means to circumvent a technological measure for the sole purpose of that person performing the acts of good faith encryption research described in paragraph (2); and (B) provide the technological means to another person with whom he or she is working collaboratively for the purpose of conducting the acts of good faith encryption research described in paragraph (2) or for the purpose of having that other person verify his or her acts of good faith encryption research described in paragraph (2). 17 U.S.C. §1201 (g)(4) (2002). Paragraph (2) permits circumvention of technological measures in the course of good faith encryption research if: (A) the person lawfully obtained the encrypted copy, phonorecord, performance, or display of the published work; (B) such act is necessary to conduct such encryption research; (C) the person made a good faith effort to obtain authorization before the circumvention; and (D) such act does not constitute infringement under this title . . . . 17 U.S.C. §1201 (g)(2) (2002) 36. Reimerdes, 111 F. Supp. 2d at 321. 37. Id. 38. Reinerdes, 111 F. Supp. 2d at 321 (emphasis added).. 39. Id. 40. Copyright Act, 17 U.S.C. § 107 (2002). 41. Reimerdes, 111 F. Supp. 2d at 321. 42. Id. at 322. 43. Copyright Act, 17 U.S.C. § 107. Section 107 provides that “[i]n determining whether the use made of a work in any particular case is a fair use the factors to be considered shall include - (1) the purpose and character of the use, including whether such use is of a commercial nature or is for nonprofit educational purposes; (2) the nature of the copyrighted work; (3) the amount and substantiality of the portion used in relation to the copyrighted work as a whole; and (4) the effect of the use upon the potential market for or value of the copyrighted work.” No one factor is dispositive. 44. Reimerdes, 111 F. Supp. 2d at 322. 45. Id. Keep reading for evidence that Congress did say so. 46. Id. at 323, citing Sony Corp. v. Universal City Studios, Inc., 464 U.S. 417 (1984) (establishing the rule that copyright owners have the right to control infringement-enabling technologies only when such technologies lack “substantial noninfringing uses.”). 47. Reimerdes, 111 F. Supp. 2d at 323-24. 48. Reimerdes, 111 F. Supp. 2d at 324 n.170. 49. Universal City Studios, Inc. v. Corley, 273 F.3d 429, 459 (2001). 50. Sony, 464 U.S. 417 (1984). 51. Even Judge Kaplan, in a footnote, let it slip that “the Sony test of ‘capability of substantial noninfringing uses,’ [is] still operative in cases claiming contributory infringement of copyright…” Reimerdes, 111 F. Supp. 2d at 324 n.170 (emphasis added). If it is recognized that Reimerdes is nothing more than a contributory liability action, the fair use defense should be available. Of course, there may be serious constitutional questions regarding the unavailability of the fair use defense in this context as it relates to a defendant’s First Amendment rights, but answering such questions must regrettably remain the goal of further, and future, research. 52. Copyright Act, 17 U.S.C. § 1201(c) (2002) (emphasis added). 53. United States v. Rodriguez, 794 F.2d 24, 28 (2nd Cir. 1986) (citing Market Co. v. Hoffman, 101 U.S. 112, 115, 116 (1879)). 54. Though this article suggests that there are several substantial noninfringing uses of DeCSS below, consider at this point the developing field of video content analysis, involving the creation of video search algorithms. DeCSS facilitates scholarly research of these algorithms that permit one to scan, index, browse and search video content much like text files, permitting large databases of video clips to be searched. For example, a researcher could enter an image they were researching and then scan a database of images to find similar images. See Appellant’s Appeal Brief in Reimerdes, available at http://www.eff.org/IP/Video/MPAA_DVD_cases/20010119_ny_eff_appeal_brief.html . Whether or not this is a “substantial” noninfringing use is certainly debatable. But courts are able to distinguish between genuine and pretextual claims of substantial noninfringing use. Sega Enters. v. MAPHIA, 948 F. Supp. 923 (N.D. Cal. 1996). 55. Reimerdes, 111 F. Supp. 2d at 322. 56. Copyright Act, 17 U.S.C. § 1201 (2002) (emphasis added). 57. And were Section 1201 construed so as to permit the fair use defense as this article argues it should be, Plaintiffs might not suffer all that much because courts have often extended indirect liability to defendants whose dual-purpose devices contributorily infringed copyrights. See, e.g., Fonovisa, Inc. v. Cherry Auction, Inc., 76 F.3d 259 (9th Cir. 1996) (defendant operated a flea market); RCA Records v. All-Fast Sys., Inc., 594 F. Supp. 335 (S.D.N.Y. 1984) (defendant was a commercial operator of an audiocassette duplication machine); Sega Enters. v. MAPHIA, 948 F. Supp. 923 (N.D. Cal. 1996) (defendants ran internet sites which made plaintiff’s product available). 58. The test for contributory liability under traditional principles of copyright law first asks, “did the defendant know or should the defendant have known about the infringing conduct?” Second, “did the defendant materially contribute to the infringing conduct?” The second inquiry usually requires actual inducing or causing of the infringing conduct, and courts may require that such participation be substantial. From the facts as they were set forth by Judge Kaplan, and to the extent that Plaintiffs could establish actual copyright infringement by a DeCSS user, it seems fairly likely that the Plaintiffs would have been able to satisfy this two-prong test for indirect liability. 59. “Additional” in the sense that a copyright holder’s exclusive rights are traditionally enumerated in Section 106 of the Copyright Act. See Copyright Act, 17 U.S.C. § 106 (2002). 60. Interestingly, the parties acknowledged that they had no direct evidence of a single occasion on which any person decrypted a copyrighted motion picture with DeCSS and transmitted it over the Internet. Perhaps this is why Plaintiffs were reluctant to argue indirect liability? Reimerdes, 111 F. Supp. 2d at 314. 61. Universal City Studios, Inc. v. Corley, 273 F.3d at 458-59. 62. Remember that “the Sony test of ‘capability of substantial noninfringing uses,’ [is] still operative in cases claiming contributory infringement of copyright…” Reimerdes, 111 F. Supp. 2d at 324 n.170 (emphasis added). Sony would work against such actions because in its light, DeCSS need only be “capable” of substantial noninfringing uses. Sony, 464 U.S. at 440-42. See below at Part III for some hypotheticals that explore whether or not certain proposed uses are substantial and/or noninfringing. 63. Copyright Act, 17 U.S.C. § 1201(c)(2). Further, any expansion of indirect liability is particularly problematic if implemented without respect to (1) whether or not there was any actual infringement, and/or (2) the nature of the relationship between the alleged contributor and the alleged actual infringer. Put another way, Section 1201 could be improved simply by adding an “intent to circumvent for illegal purposes” prong, or an “intent to aid and abet copyright infringement” requirement. For example, the Vessel Hull Design Protection Act, 17 U.S.C. § 1309, requires that a disseminator of information be held liable only if he or she “induced or acted in collusion with” one who actually gains unauthorized access to a work. Under this standard, the statements of the defendants, including Corley, clearly indicate that they were, and probably did, induce the conduct of folks who used DeCSS to gain unauthorized access to Plaintiffs’ copyrighted works. 64. Sony Corp. v. Universal City Studios, Inc., 464 U.S. 417 (1984). 65. One scholar has posed a hypothetical that I modify: A pharmaceutical company produces data indicating the safety of its new drug. Presuming that its expression of this data is copyrighted, the company releases this copyrighted information with copyright protection software to protect the data in a way so that only certain tests can be performed on this data, all of which support the safety claim, and all of which were used by the FDA to approve the drug. A skeptical scientist would be deterred from interpreting the data on his own as it might require him to circumvent the access control system and thereby contribute to the copyright infringement of others who might then check the scientist’s data. Pamela Samuelson, Anticircumvention Rules: Threat to Science, 293 Science Magazine 2028, 2029 (2001). 66. Corley, 273 F.3d at 458, quoting Campbell v. Acuff-Rose Music, Inc., 510 U.S. 569, 575 (1994)). 67. An essential aspect of the making fair uses is that doing so does not require advance permission from copyright holders. Plaintiffs simply chose to release their films in digital form. Once they do, the “underpinnings of fair use and the limited nature of the copyright holder’s exclusive rights require that these limits on copyright apply unless the government can sustain its heavy burden to show why these expressive uses should be banned in this new medium of expression.” EFF Supplemental Letter Brief in Reimerdes, at http://www.eff.org/IP/Video/MPAA_DVD_cases/20010530_ny_eff_supl_brief.html . 68. Courts should affirmatively “distinguish between circumvention aimed at getting unauthorized access to a work and circumvention aimed at making noninfringing uses of a lawfully obtained copy.” Pamela Samuelson, Intellectual Property and the Digital Economy: Why the Anti-circumvention Regulations Need to be Revised, 14 Berkeley Tech L.J. 519, 539 (1999). 69. 17 U.S.C. § 1008 (2002). 70. Decl. of Pamela Samuelson in Universal City Studios v. Corley, 273 F.3d 429 (2001), available at http://www.eff.org/Cases/MPAA_DVD_cases/20000503_ny_def_goldstein_samuelson_decl.html . Further, § 1201(a)(3)(A) defines the phrase “circumvent a technological measure” as allowing access to a copyrighted work “without the authority of the copyright owner.” Copyright Act, 17 U.S.C. § 1201(a)(3)(A) (emphasis added). By purchasing the DVD in Spain, Eugene has definitively been granted the authority to access the work. Should this authority be limited to using Spain-encoded DVD players? Is this limitation reasonably clear to the average consumer who buys a DVD while abroad and then gets home to discover that it is useless on his U.S. DVD player? Did that purchaser make a contract-like promise only to render playback on Spain-encoded players? Should U.S. copyright laws and courts forced to consider them overlook these ambiguities by affirming Reimerdes-like interpretations of Section 1201? Perhaps we should defer to Congress, which considered these questions and others and indicated that “where access is authorized, the traditional defenses to copyright infringement, including fair use, would be fully applicable. So, an individual would not be able to circumvent [access control technologies] in order to gain unauthorized access to a work, but would be able to do so in order to make fair use of a work which he or she has lawfully acquired.” H.R. Rep. No. 105-551, pt.1, at 18 (1998). Query whether or not the hypothetical presented above would be considered a fair use, especially where price discrimination becomes less available to the copyright holder as a result. In that sense, the fourth fair use factor -- “the effect of the use upon the potential market for or value of the copyrighted work” -- seems to resolve in favor of the copyright holder; one component of the potential market and/or value of a copyrighted work is the ability of the copyright holder to price discriminate between regions. Uses of the nature described above, if permissible, might reduce the value of the copyrighted work because a copyright owner might not sell product in poorer countries because of the risk that purchasers of the product at lower prices might circumvent the encryption for playback in regions where the same product is sold at higher prices. Nonetheless, the fourth fair use factor is at most one-fourth of the fair use inquiry. No one factor is dispositive, and the weighting of the factors varies from case to case. Finally, the factors list is only suggestive, not inclusive. 71. Such use would likely be a private, and not a public, performance of the copyrighted work, and there’s no exclusive private performance right granted to a copyright holder under the Copyright Act. Query also the effect of Section 602(a), under which absent the copyright owner’s consent, importation into the United States of copies made outside of the United States is an infringement of such owner’s exclusive Section 106(3) right to distribute, and is actionable under Section 501. If a copy was made inside the United States and then lawfully sold overseas, it is permissible for the copy’s lawful owner to bring such copy back into the United States. Quality King Distributors, Inc. v. L’anza Research Int’l., Inc. 523 U.S. 135 (1998) (finding that “[g]iven the importance of the fair use defense to publishers of scholarly works, as well as to publishers of periodicals, it is difficult to believe that Congress intended to impose an absolute ban on the importation of all such works containing any copying of material protected by a United States copyright.”). 72. See supra at note 32. 73. Copyright Act, 17 U.S.C. § 1201(f)(1). 74. Such attempts might constitute a violation of Section 1201 specifically because they’re aimed not at achieving interoperability but at gaining knowledge. Even where the hobbyist had both goals in mind would still violate Section 1201 because interoperability must be the “sole” purpose of the reverse engineering. And what about inchoate reverse engineering, or experiments that stop short of reverse engineering but which get pretty close? 75. Copyright Act, 17 U.S.C. § 1201(f)(3) (“The information acquired through the acts permitted under [this subsection] may be available to others if the [information sharer] provides such information or means solely for the purpose of enabling interoperability of an independently created computer program with other programs…”) (emphasis added). Is anything ever done solely with any particular purpose? What about when information is shared for no purpose but the expansion of the recipient’s knowledge? 76. Or, more accurately, “compatibility.” 77. Pamela Samuelson, Anticircumvention Rules: Threat to Science, 293 Science Magazine 2028, 2029 (2001). 78. It is somewhat amusing to note how cryptic the cryptographic exemption itself is. 79. Copyright Act, 17 U.S.C. § 1201(g)(3)(B). 80. One commentator has suggested that cryptography is not a “members only” club; anyone with the motivation to learn and the ability to contribute is welcome. Bruce Schneier, Self-Study Course in Block Cipher Cryptanalysis, 24 Cryptologia 1, 18 (2000). 81. Pamela Samuelson, Anticircumvention Rules: Threat to Science, 293 Science Magazine 2028 (2001). 82. Defined as “activities necessary to identify and analyze flaws and vulnerabilities of encryption technologies applied to copyrighted works, if these activities are conducted to advance the state of knowledge in the field of encryption technology or to assist in the development of encryption products…” Copyright Act, 17 U.S.C. § 1201(g)(1)(A). Where’s the boundary between “research” and that which is prohibited under Section 1201? Is it still “research” if a person writes down the flaw and then writes a computer program to test it in a safe digital environment against CSS-protected works? One could argue that this test would not be “necessary to identify and analyze flaws and vulnerabilities of encryption technologies” because any such flaws were already identified. More importantly, how is anyone to know in advance what’s verboten? 83. Copyright Act, 17 U.S.C. § 110 (2002). Section 110 limits the exclusive performance and display rights by protecting the “performance or display of a work by instructors or pupils in the course of face-to-face teaching activities of a nonprofit educational institution, in a classroom or similar place devoted to instruction.” Id. at § 110(a)(1). In the anti-circumvention context, Section 1201 should expressly protect circumvention “by [those] engaged in the course of noncommercial research or educational activities.” This might indeed extend beyond classroom teaching to research and/or educational websites and periodicals. 84. One cryptographer website has noted that, “[t]he only way to learn cryptanalysis is through practice. A student simply has to break algorithm after algorithm, inventing new techniques and modifying existing ones. Reading others’ cryptanalysis results helps, but there is no substitute for experience.” Bruce Schneier, Self-Study Course in Block Cipher Cryptanalysis, 24 Cryptologial, 18 (2000) available at http://www.counterpane.com/cryptanalysis.pdf. 85. This does not undermine Section 1201 because Section 1201 is supposed to preserve fair use, and educational uses are favored under fair use analysis. If, for example, a programmer simply posts object code on his website and claims to merely be sharing his ideas, he still must withstand the scrutiny of whether or not his technology has substantial noninfringing uses. If it does not, he will be in trouble. If it does, but if it contributes to the direct infringement of another in satisfaction of the indirect liability test, Plaintiffs will still be able to remedy those wrongs. But a Plaintiff should not simply be permitted to point to Section 1201 and contend that a defendant is in violation of it without reference to fair use and contributory liability, neither of which are to have been “enlarge[d]” by Section 1201. Copyright Act, 17 U.S.C. § 1201(c)(1),(2) (2002). 86. Under traditional copyright principles, copyright laws protect only expression, not ideas. This notion has been codified in the Copyright Act, 17 U.S.C. § 102(b) (2001): “In no case does copyright protection for an original work of authorship extend to any idea, procedure, process, system, method of operation, concept, principle, or discovery, regardless of the form in which it is described, explained, illustrated, or embodied in such work.” Of course, trade secret doctrine and case law still exist to protect unlawful conduct thereof. 87. It is possible, but unlikely, especially because the very title of the act evidences a primary interest in preventing the infringement of the encrypted copyrighted work. Moreover, if we take Section 1201 as it was interpreted in Reimerdes,if a content provider placed a copyrighted work in an electronic database, Section 1201 would render it unlawful to circumvent technology controlling access to that database even if the database contains mostly public domain works. Neil Weinstock Netanel, Locating Copyright Within the First Amendment Skein, 54 Stan. L. Rev. 1, 75 (2001). 88. Again, the issue of the First Amendment arises, and remains beyond the scope of this paper. 89. Remember that to the extent such behavior contributes to direct copyright infringement, Plaintiffs are always able to bring indirect liability actions against such actors under contributory liability theories. 90. Copyright Act, 17 U.S.C. § 1201(a)(2), (b)(1). 91. This issue was raised in the Reimerdes’ Educators’ Amici Brief, available at http://www.eff.org/IP/Video/MPAA_DVD_cases/20010126_ny_edu_amicus.html. 92. Perhaps the professor is studying the various strengths and weaknesses of common search feature codes themselves! 93. The second and third fair use factors would enter into this analysis here because the amount and substantiality of the work used is often minimal (e.g., the professor’s in-class use). This is especially so with copyrighted works of a nature particularly suited for instruction. 94. Provided, of course, that the professor or any similarly-situated defendant could prove that such technology is an article of commerce. Sony, 464 U.S. at 441-48. 95. At least one professor, Princeton’s Peter Ramadge, has noted that his research in the field of video content analysis has been stymied by lack of access to high quality digital video. See Educators’ Amici Brief in Reimerdes, available at http://www.eff.org/IP/Video/MPAA_DVD_cases/20010126_ny_edu_amicus.html . Professor Ramadge was trying to develop video search engines to scan and index video files on the Internet. For example, someone with an image of a laptop could search a database of video clips for similar images. Professor Ramadge’s research requires access to digital video content for it to be updated with new movies only out on DVD. Such use should qualify as fair use of underlying ideas, especially when it’s for research and scholarship. DeCSS-like technologies may enable fair uses of copyrighted materials encrypted on a DVD. 96. Copyright Act, 17 U.S.C § 110 (2002). 97. supra, at note 85. 98. ClearPlay and Movie Mask are two very similar technologies currently available to people who want to edit a commercially-available DVD before their children watch it. The technologically is painfully simple: the user downloads a program that carefully instructs a computer’s DVD player to either automatically insert graphics that obscure displays of nudity, or simply to automatically fast-forward scenes containing nudity, violence, or profanity all together. These technologies do not circumvent any anti-circumvention technology at all; in fact, they access the underlying copyrighted material precisely as it is stored on the DVD itself. However, the performance that’s ultimately rendered does not reflect the character of the performance as the copyright holder encoded it to the DVD. To the extent that one of Section 1201’s purposes was to protect copyrighted materials from modification by someone other than the copyright holder by encrypting those materials and constraining one’s access to them, these two technologies seem to accomplish that end without violating Section 1201. Visit http://www.clearplay.com , and http://www.moviemask.com to check these technologies out for yourself. |
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